You absolutely ARE allowed to be unimpressed. But your opinions would be given better consideration if you shared your thoughts and reasoning behind your conclusions. This isn't a forum where you drop the body and run. We'd like you to tidy up the grave, plant some grass and leave a nice floral arrangement. A better tack might be to ask why someone else is impressed by said giants. So much great stuff is hidden in the back story.
I'm pretty new as well. I recognize many of the names in this thread, but I had to look up a few. I admit for some, I don't know what I'm looking at beyond the basics. Some of the styles/artists really grab me, and other "big names" don't do much for me. But I'm very interested in conversations like this where people with a lot more experience than I have share the history that I know I'll never get from just surfing the internet and scrolling through Instagram.
I thought all bodysuits looked about the same. And why are all these white dudes getting Japanese suits? Then I read some of the threads that talked about the meaning, and I found myself surfing some of the recommended sites. And the stories are so unfamiliar to me, but I like that I can "read" more of the tattoo when I see which way a koi swims or if maple leaves or cherry blossoms are present. And damn I love the kitunes (thank you @Tesseracts for that awesome education with yours!)! I was never interested in anything Japanese, but when I read Horitomo's Monmon Cat's book and learned the history of cats and rats and tattoos, and I saw the depth of his work in these smaller tattoos and I'm much more "moved" and "impressed" than before. It sounds trite, but I have a much better appreciation for his work (both Monmons and not) and that has made it more desirable to me. Perhaps I wasn't "unimpressed" before but just "uninterested."
Of course anyone can disagree. But it's like flaunting ignorance not to have a meaningful conversation why you feel that way.
$0.02