Dennis

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

That would be nice, but I doubt any libraries in the communities I've lived in (less than 5000, down to less than 1000) would be stocking limited edition tattoo books. :p The thought of sharing said books with the assholes in an apartment complex makes me shudder! Most people don't properly look after stuff like books and CDs when they own them, let alone if it isn't theirs!

Here are some of mine from Kurt Wiscombe!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

You know what irks me infinitely more than the hands/forearms/neck woah bro I'm totally covered tattoos.
Those damn ear gauges make me insane. They look so awful, almost beats face tattoos in my book
@Dennis
one of the things I truly love about Horiyoshi is that he can do sort of a large scale black and grey piece with these perfectly placed pops of color. He does it so well, it is why I look at him like a master of the art.

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

Anyone else have the recurring urge to punt Emily in the ham wallet?

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

I've seen work from "name" artists that wasn't the greatest, but I wouldn't say any of them have "lost" it. They are all human and have off days. I used to get bent out of shape if I noticed anything on a tattoo what wasn't perfect, but now I step back and look at the piece as a whole. It would be ridiculous to write off a whole suit based on a couple blow outs/poorly healed shading here and there.
I'm in the same boat as @Graeme , I've travelled for tattoos based on how the work connects with me, and how the interaction was with the artist themselves. Skill is irrelevant if the person is an asshole.
That being said, Horiyoshi III finished this piece up in July. Can't say I'd object to being the owner!

That would be nice, but I doubt any libraries in the communities I've lived in (less than 5000, down to less than 1000) would be stocking limited edition tattoo books. :p The thought of sharing said books with the assholes in an apartment complex makes me shudder! Most people don't properly look after stuff like books and CDs when they own them, let alone if it isn't theirs!

So, uh... what's the name of this local shop and where is it??

Yeah, I think the thing some people need to remember is that these days most people seem to get their tattoo info from a format which involves looking at teeny tiny digital pictures, out of context, unhealed, etc. Instagram is basically bullshit for seeing the quality of people's work. If you've ever been lucky enough to see a Horiyoshi III tattoo in person, you would realize how seriously wrong you are.
(This is kind of a digression, but what I hate about Instagram is that it ends up prioritizing tattoos that photograph well over tattoos that have soul. I'm going to go like, rearrange my crystals now.)

That would be nice, but I doubt any libraries in the communities I've lived in (less than 5000, down to less than 1000) would be stocking limited edition tattoo books. :p The thought of sharing said books with the assholes in an apartment complex makes me shudder! Most people don't properly look after stuff like books and CDs when they own them, let alone if it isn't theirs!

That would be nice, but I doubt any libraries in the communities I've lived in (less than 5000, down to less than 1000) would be stocking limited edition tattoo books. :p The thought of sharing said books with the assholes in an apartment complex makes me shudder! Most people don't properly look after stuff like books and CDs when they own them, let alone if it isn't theirs!

I love the aesthetics of books. Walls covered in bookshelves are the greatest thing ever. Homes should look like libraries.

Ordered another book and scored a Kapala. THIS IS WHY I GET TATTOOED ONCE EVERY COUPLE YEARS!!!!!!!

Ordered another book and scored a Kapala. THIS IS WHY I GET TATTOOED ONCE EVERY COUPLE YEARS!!!!!!!

@peterpoose The new shading/depth on the face looks amazing! I thought the original was a little flat after it healed, but this addresses that and them some!