Those Lieber sailor girl acetates are damn good.
On another note about the source of references and influences, last time Lehi tattooed me I asked him if he liked Wido de Marval's tattooing (he works with Leu in Switzerland). Lehi said he'd never heard of him. I asked him whose Japanese-derivative tattooing he paid attention to. He said "No one's, really, I just look at the old Japanese stuff. That's what all these tattooers are trying to do, anyway." Reminds me of the Mike Malone letter to Keith Underwood that was published in TAM a few months ago. Malone adminished Underwood to "Look Look Look" at how Jerry executed his flash. He emphasized Jerry's formulaic approach to drawing archetypal images. Same thing as Lehi looking at Yoshitoshi, Kuniyoshi, or Horiyoshi II. I'd guess that Chris Conn's work, as distinct from someone like Jerry's as it might seem, relies on a very similar formula.